Andean pan flute musician who plays the sound of silence

When Silence Is Music

Lately, I’ve been drawn more deeply into silence. Emptiness and stillness feel both profoundly necessary and mysteriously comforting. This pull into the space between notes happens when silence is music.

Remember Paul Simon’s The Sound of Silence? Ecuadorian-born Giovanny Bautista performs this short— a beautiful Andean pan flute version:

A funny scene in the film Amadeus has Mozart seeking the Emperor’s approval for his recent work. The not-musically-savvy king repeats what Mozart’s enemy has put in his ear. There are, he says, too many notes. A baffled Mozart insists he’s written no more or less than required and asked which ones his majesty would remove.

In fact, we know Mozart as a master of silence between notes. 

Music would not exist without silence. The pauses allow us to experience and appreciate sound. Perhaps in a similar way, life’s pauses create a complete symphony over time.

When I hear a call from the depth of silence, it’s time to slow down the doing, the thinking, the writing, the planning. Get quiet on the inside, and listen. 

Once I stop doing my days in a way that’s become routine, I settle into silence. Then, inner sounds quietly emerge—the trill of a single flute, melodic phrase of an oboe, or even a brief brass quintet. 

Somehow, these sounds illuminate me, bringing me into harmony with a higher heartbeat. The result is balance, and my next direction becomes clear.

If you’d like to explore your own space between notes, consider this an open invitation to slow down, get quiet, and discover sound in silence.

That is living as music. 

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Instrument made of ice (an ice horn) being played by a musician in a parka

Ice Music

Terje Isungset is a pioneer and inventor of ice music. He creates his instruments—harps, drums, percussion, horns, and the iceophone (like a xylophone)—from blocks of harvested natural ice. He’s released 14 solo albums through his independent Norwegian record company and has toured internationally giving concerts with his Ice Quartet. Imagine being a roadie on that gig!

This ice concert, performed in the Arctic, was created in conjunction with Greenpeace to highlight the beauty of our oceans. It’s unlike anything you’ve heard: 

Instruments are crafted out of artic drift ice, sourced from and then returned to the sea. Glacial ice can be a thousand or a hundred thousand years old. Instrument-makers and musicians respect this ancient ice and that it has a sound of its own. 

American Ice sculptor Bill Covitz says ice vibrates the longest at -20 degrees, the best temperature for an ice concert. [See The Sound of Ice: Behind the Scenes Making Ocean Memorieshttps://www.youtube.com/watch?v=UEGgHf7G_-A&t=21s]

What can we learn about the collaboration of nature and human creativity from these artists?

Terje speaks of treating nature with respect and gentleness, just like the ice instruments, so it doesn’t break.

Ice cellist Ashild Brunvoll shares how nature has its own language. Ice instruments bring the sound of nature to human language, so people can understand. Nature gives us so much more than we can see.

As we enjoy a new year, some of us skiing on snow or making snow sculptures, we can pay attention to nature and connect in a deeper way. Perhaps we’ll even awaken to the music of ice.

That is living as music.

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